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Walk the Moon’s Nicholas Petricca talks ‘Timebomb’ and touring with Muse

Nicholas Petricca of Walk the Moon performs at The Forum on July 19, 2018 in Inglewood, Calif. Timothy Norris/Getty Images

Since the release of their first smash-hit single, Shut Up and Dance (2014), Walk the Moon has become a household name across the globe, and the indie pop song has been certified seven times platinum in Canada alone.

Now, on the tail-end of promoting their latest album, Talking is Hard (2017), the Ohio-based rock band has released a brand-new single entitled Timebomb.

Since its release, Timebomb has dominated modern rock and adult contemporary radio stations across the continent and even allowed the four-piece to play on a number of major television networks.

Walk the Moon’s rapidly increasing success landed them a gig opening for one of the world’s biggest rock acts — Muse — this year during their highly anticipated Simulation Theory world tour.

The tour kicked off in February and will make three stops this week in Canada alone, including Toronto, Montreal and Quebec City.

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WATCH: Walk the Moon’s latest smash-hit single, Timebomb

READ MORE: Muse announces ‘Simulation Theory’ world tour, with 3 Canadian dates

Walk the Moon was founded in 2006 by frontman and key songwriter Nicholas Petricca. The group signed with RCA in 2012 and released their first major-label album, which was self-titled.

In total, the band has released four studio albums, six EPs, one live album and two No. 1 charting singles in the U.S. (Shut Up and Dance and 2017’s One Foot).

Ahead of their Canadian shows, Petricca, 32, took the time to sit down with Global News and talk about the history of the band and even gave an update on their highly anticipated fifth studio album.

The singer also detailed how they landed the gig with Muse, how it feels to go back and play older songs and what fans can expect from a Walk the Moon concert.

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Global News: Do you mind telling us the story behind your latest single, Timebomb?
Nicholas Petricca: To me, the song is all about the fear of falling in love. Because love is a very scary thing. But it’s also a good thing… in the way that anything that’s worth having in this life or anything that’s worth looking for is a risk, right? Love is risky. It could end, or you might mess it up or so on. [Laughs] But it’s because it’s precious that it’s really worth it. It’s a complete gamble. Love is inevitable, and there’s really nothing you can do about it; there’s really no choice. [Laughs]
So is Timebomb its own entity, or are you guys working on a new album you can tell us anything about?
We are, but it’s not clear yet what it will actually look like — or, certainly, even when. We just have a lot of music in the works. We were actually in the studio quite a bit last fall recording new music and songs that we had started writing for the last record that were left unfinished. Right now, while we’re on the road, we’re writing new songs as well. We have a lot of new developments that we’re just… [Laughs] We’re unsure what to do with it all. But I think, inevitably, it’ll all be part of a record at some point, whether that’s a concept album or something else entirely.
Walk the Moon press photo. RCA Records / Sony Archives

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After 13 years together as Walk the Moon, did you ever think that your music career would take you as far as it has?
The short answer? Yes. But adding onto that… [Laughs] I think when I was in high school (and) college and falling in love with bands that made me want to be in my own band — like The Killers and Coldplay or Muse — I sort of pictured myself on that level. I just had this certainty. I was like “Yep, of course. I can do this. We’re gonna do this.”
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What I didn’t picture was all of the little steps it takes between being an unknown to complete global stardom. [Laughs] That’s actually been the most interesting and awesome part of this journey — all those steps in between. There have been several moments along the way where, if I told my 17-year-old self you’ve got a song on the radio or you broke a Billboard record or your song went platinum, my younger self would be like “Oh, well, you’ve made it!” But now that we’ve actually passed those landmarks, we’re still like “When are we gonna make it?” [Laughs] We’re ambitious, and I think we’ve always had something really powerful and beautiful to share with the world. That’s just our brand of music. The centre of it is hope, which is something I believe the world really needs.
It’s incredible that that hope and ambition is able to shine through all of your music, despite your songs all being so unique. Would you say there’s an intentional desire to experiment with your sound? Or are you just tapping into those different influences and evolving as musicians?
Honestly, it’s probably a nice blend of all of those things. It’s very subconscious. Maybe you could also take the flipside and call it an inability to focus. [Laughs]

The four of us actually come from very different musical backgrounds and, individually, we’re all interested in a lot of different music. It’s hard to narrow down our influences. We’ve definitely never been the kind of band that writes two songs that sound the same — and we probably never will be. Even within each album, the range is so eclectic. I feel like there are some artists who have a specific feel or sound, which is why some people keep going back to them. Take Tyko, for example. I want to listen to Tyko because I can just put on his music and I’m suddenly in the world of Tyko, which just feels like an absolute dream.

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But if you put on Walk the Moon, it’s a little more unpredictable. We have heavy songs inspired by bands like Rage Against the Machine and then we have songs like Shut Up and Dance, which is a totally different animal! [Laughs] I often wonder whether that hurts or helps us.
Do you think having such a variety of sounds maybe speaks for how you guys landed the opening slot for Muse’s tour? They’re the same in that sense — they’re unique.
I wish I could tell you there was a crazy story behind that, like if we were drinking at a bar in Japan and bumped into the guys and went to karaoke with them or something. [Laughs]
We could say it happened.
[Laughs] Yeah, we definitely could. But no, we found out that they were going on tour, submitted for it and they liked us and decided to take us out with them. We’re actually sitting on a tour bus in Atlanta right now before we hit the stage. I talked to the Muse guys recently and one of them — I won’t say who — is sort of the guy who chooses the bands they tour with so it was really cool to hear that he picked us out of all of these bands they could have picked instead.
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Nicholas Petricca of Walk the Moon performs during 101WKQX’s The Nights We Stole Christmas at Aragon Ballroom on Dec. 1, 2018 in Chicago, Ill. Daniel Boczarski/Redferns

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Do you find that it’s intimidating playing these huge arena shows at all? Does it feel like the next step for you guys?
It’s both! I would say it’s intimidating but also totally inspiring at the same time. Intimidating, of course, because those venues are much larger than the space we’ve ever filled on our own. We’ve played big crowds and amphitheatres, sure, but it’s different when you’re filling this huge indoor space and you know that some folks are a few feet from you and then some are even a thousand feet from you. I believe it’s a great challenge for us every night to come up and own that space and know that it’s our job to kick off each night for this bad**s band.

There’s a huge element of theatricality, too. My years as a theatre kid are coming in handy now. [Laughs] And it’s inspiring because Muse dreamed up this wild alien circus… and then it just comes to life! We get to walk around their spaceship stage and tiptoe over robots backstage just to get to the ramp, and we’re among all of this stuff that they’ve just dreamed up. So it’s really cool to be able to experience something like this first-hand, and again, be able to touch this band’s dream — one that we deeply admire.
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When you’re playing live, do your older songs still resonate with you the same way they did back when you wrote them? Or do they capture something new for you now?
That’s the beauty of this whole thing. We love to play live because every night is different. It’s infinitely different. The audience consistently brings a new life to each of our songs — even if we’ve played it a thousand times. It’s not like we all get together just to rehearse something like Shut Up and Dance because that would get repetitive. [Laughs] The live aspect makes every night something different and exciting.

I do think it’s interesting now because we get to see which songs have stood the test of time and still feel relevant to us as human beings and which songs we can’t relate to as much after growing up a bit more. But it’s been really fun recently to kind of look back in the vault and pull out some of the songs we haven’t played in a really long time.

You’ll be back in Canada this week, starting in Toronto before going to Montreal and Quebec City. What, exactly, can fans expect from a Walk the Moon concert in 2019?
I love this question and I still never know how to answer it. [Laughs] Every night, we leave nothing out. We put it all up there. Whether we’re playing two hours at our own show or just one song on TV, to say the least, we’re gonna come out sweating. You can expect us to put all our hearts into it every single night to provide our fans with a proper rock show.
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[This interview has been edited and condensed.]
‘Jimmy Kimmel Live!’ featuring special musical guest, Walk the Moon. Randy Holmes via Getty Images

READ MORE: In light of the Ticketmaster investigation, are there other ways to get tickets?

Walk the Moon is Petricca (lead vocals and guitar), Kevin Ray (bass), Eli Maiman (guitar) and Sean Waugaman (drums).

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Tickets for the Simulation Theory tour with Muse and Walk the Moon are now available. They can be found here.

Simulation Theory Canadian dates

March 28 – Toronto, Ont. @ Scotiabank Arena
March 30 – Montreal, Que. @ Bell Centre
March 31 – Quebec City, Que. @ Videotron Centre

adam.wallis@globalnews.ca

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