Advertisement

Theatre Calgary’s ‘Noises Off’ hoping to turn on the laughs in season opener

Click to play video: '‘Noises Off’ turns on the laughs in Theatre Calgary season opener'
‘Noises Off’ turns on the laughs in Theatre Calgary season opener
WATCH: Community reporter Deb Matejicka talks to the cast of "Noises Off" to find out why the new production in Calgary is as funny as it is challenging – Sep 11, 2019

Theatre Calgary is opening its 2019-20 season with Noises Off, an established British comedy it is hoping will have theatregoers laughing from start to finish.

A play about a play, Noises Off takes the audience through three different stages of the fictional production of “Nothing On.”

“The first act is — you see the real set and you see [the actors] rehearsing,” said Christian Goutsis, who plays Dallas Lloyd, the director of “Nothing On.”

“It doesn’t start well and it just keeps getting worse and worse and worse, and things fall apart and madness and hilarity ensue,” added Noises Off director Mark Bellamy.

Story continues below advertisement

Listening to “Nothing On” fictional director Goutsis and real Noises Off director Bellamy banter back and forth about the production got a little confusing at times — even for the cast.

For news impacting Canada and around the world, sign up for breaking news alerts delivered directly to you when they happen.

Get breaking National news

For news impacting Canada and around the world, sign up for breaking news alerts delivered directly to you when they happen.
By providing your email address, you have read and agree to Global News' Terms and Conditions and Privacy Policy.

“Christian would stop the show and then I would stop Christian, so it was just like, ‘Who are we listening to?'” laughed Bellamy at the confusion of calling scenes during the first few rehearsals.

“It became sort of like Inception. There were so many layers upon layers of this crazy world when you’re rehearsing a play that’s about rehearsing a play,” said Bellamy, comparing rehearsals to the 2010 science fiction feature film.

“It ends up looking seamless and looking like a lot of fun but in the rehearsal process and sort of getting the timing of everything, as Mark said, all the doors and the physical comedy that needs to happen takes a tremendous amount of detailed rehearsal and repetition,” Goutsis said.

Sponsored content

AdChoices