July 10, 2018 8:44 pm

Controversial slave play to continue run across Quebec in 2019

Quebec playwright and stage director Robert Lepage is weighing in on the cancellation of his controversial SLAV show, criticized because it featured a white woman singing songs composed by black slaves.Robert Lepage says he won't wade into the issue of cultural appropriation, but says in a lengthy statement the discourse that led to the cancellation of the show earlier this week was a direct blow to artistic freedom.

Sean Kilpatrick/The Canadian Press
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The artistic director of a theatre in Saint-Jerome, Que., says he doesn’t want to cancel a play that sparked protests and accusations of racial insensitivity, and helped lead the Montreal jazz festival to cancel the show’s multi-night run in early July.

READ MORE: Robert Lepage says decision to cancel SLAV show ‘direct blow to artistic freedom’

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David Laferrière said in an interview Tuesday the theatre will put on the show SLAV by Quebec director Robert Lepage in early 2019. The play features a predominantly white cast picking cotton and singing songs composed by black slaves.

“Should white people in 2018 sing and celebrate slave songs, created by suffering and humiliation? It’s not for me to say,” Laferrière said.

“I haven’t finished my reflection on that and I don’t think adding my voice to this debate is pertinent at the moment.”

The Gilles-Vigneault theatre in Saint-Jerome, about 60 kilometres north of Montreal, is one of several venues scheduled to host SLAV, in early 2019.

Tickets can still be purchased for dates in Sherbrooke, Drummondville and Saguenay, despite criticism from Montreal’s black community, which accused the show’s white creators of profiting off the pain of black people.

READ MORE: All SLĀV performances cancelled by Montreal Jazz Fest following controversy

One of the hottest tickets at this year’s Montreal’s jazz festival, the show was billed as a journey through “traditional Afro-American songs, from cotton fields to construction sites.”

On opening night in late June, protesters converged outside the downtown Montreal theatre hosting the play and screamed invective at people trying to enter the building, forcing police to form a protective cordon for ticket-holders walking in.

Activists denounced the show and its mostly white cast, and U.S. musician Moses Sumney cancelled a gig at the festival in protest.

READ MORE: American musician pulls out of Montreal jazz fest because of controversial show

‘Protesters need to be heard’

Laferrière said he’s empathetic with those who have criticized the play.

“I am sensitive to their comments, to their suffering and opinions, I understand it very well,” he said. “But … the last thing for me to do is to kill this creation, and to not have this discussion.”

READ MORE: Protesters denounce predominantly white show of songs by black slaves at Montreal Jazz Festival

He said his theatre is considering ways to start a dialogue with citizens and hold activities around the play to raise awareness to the themes of the production.

Laferrière said he isn’t concerned about protesters disturbing the show.

“Protesters need to be heard,” he said. “Of course, in the logistics, we will have (protesters) in mind and will make sure things happen properly. As long as the public can enter the theatre respectfully, then I don’t mind if there are protests.”

The show played at Montreal’s international jazz festival until it was cancelled.

Paul Chiasson/The Canadian Press

Dan Philip, president of the Black Coalition of Quebec, said that the play’s scheduled shows outside Montreal are an insult to black people.

“It shows contempt for the black community and the black experience and slavery as a whole,” said Philip.

“It shows they will do anything for profit.”

Quincy Armorer, artistic director of the Montreal-based Black Theatre Workshop, said the story SLAV tells has a place in art and theatre — but black people should play a prominent role in telling these narratives.

READ MORE: Montreal Jazz Festival cancels 2 showings of controversial show after singer breaks ankle

“There are appropriate, respectful and ethical ways of producing the work and I supposed I was happy to hear the production had been cancelled (in Montreal),” said Armorer, whose theatre company is in its 48th season.

“And that was diminished when I found out it was going to continue in its current form.”

He said the fact that a play of this nature — created by a white man and featuring a predominantly white cast picking cotton on stage — can be performed in Quebec in 2018 shows, “people don’t really care.”

© 2018 The Canadian Press

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