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Pope unveils sculpture by Canadian artist in Vatican City

Pope Francis unveils a sculpture commemorating migrants and refugees entitled "Angels Unawares" by Canadian artist Timothy Schmaltz on September 29, 2019 at St. Peter's Square. Eric Vandeville/ABACAPRESS.COM via CP

VATICAN CITY — A Canadian artist’s sculpture has been unveiled in St. Peter’s Square by Pope Francis as part of a Mass for the World Day for Migrants and Refugees.

READ MORE: Pope Francis decries world’s indifference to global migration, refugee crisis

“I wanted this artistic work here in St. Peter’s Square to remind everyone of the evangelical challenge of hospitality,” Francis said.

The work in bronze and clay by Timothy Schmalz of Kitchener, Ont., depicts more than 100 migrants and refugees from different cultural and racial backgrounds and time periods.

 

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Schmalz, who travelled to the Vatican City for the unveiling, said it was amazing that the sculpture, called “Angels Unawares,” was in the square as a visual reminder that everyone is welcome.

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It was inspired by a Bible passage and includes a pair of angel wings rising from among the crowd on a boat.

“The idea is spiritually centred, with the angel wings in the centre,” he said. “It brings the idea that we are sacred and we are all, in a sense, worthy of human dignity and respect.”

Pope Francis unveils a sculpture commemorating migrants and refugees entitled “Angels Unawares” by Canadian artist Timothy Schmaltz on September 29, 2019 at St. Peter’s Square. Eric Vandeville/ABACAPRESS.COM via CP

Schmalz said it was an important message to spread as people become more fearful of strangers and isolated by technology.

“What’s happening is a disconnect towards humanity. What’s happening with this is a fear of the other, big time.”

Schmalz, who described himself as a “hard core Christian,” said he got the commission after the Vatican learned of his sculpture depicting Jesus as a homeless person, copies of which are now touring in major cities around the world.

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The sculpture for St. Peter’s Square was the culmination of well over a year of “obsessive work, obsessive sculpting,” with 140 people depicted in the piece, he said.

Schmalz said that while he and Francis did not speak the same language, the pope still gave him a message.

“He looked at me and he put his hands on his heart, and that was more than an artist could possibly hope for.”

Many migrants and refugees from conflicts throughout the world attended the mass, which closed with the unveiling of the statue. During the mass, a multiethnic chorus sang and the incense burned came from a refugee camp in southern Ethiopia.

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