Myanmar’s first international literary festival opens amid newfound freedoms of expression
YANGON, Myanmar – The latest first for fast-reforming Myanmar – its first international literary festival – is putting the spotlight on dozens of the country’s authors, a number of whom once spent time in prison for their writings.
The Irrawaddy Literary Festival, which runs from Friday through Sunday, comes as Myanmar relaxes its censorship rules, bringing new freedom of expression to the country’s authors, journalists, bloggers and comedians. More than 100 authors from around the world are attending, including Nobel Peace laureate Aung San Suu Kyi, the opposition leader who spent the better part of two decades under house arrest before being elected to parliament last year.
“We still take some care,” said Pe Myint, who has written 42 books and numerous short stories. But, he added, for the last two years he has been able to publicly criticize the government, a once unimaginable right.
Myanmar was controlled by a military junta for half a century before sweeping political reform brought a rush of business and cultural engagement with the outside world. Some of the most striking changes have centred on speech and press freedoms.
Myanmar shut its censorship office in August and a week ago officially rebranded the Press Scrutiny board, which was responsible for censoring publications, as the Copyrights and Registration Division.
Authors must still submit their books to the government, but it can no longer block their distribution. Some of the old laws used to jail dissident writers remain on the books, but local authors say that for the most part, censors have put down their red pens and they can publish quite freely.
“Wild Swans” author Jung Chang, India’s Vikram Seth, British historian Timothy Garton-Ash and New Delhi-based writer William Dalrymple – a force behind India’s hugely successful Jaipur literary festival – are scheduled to attend this weekend’s festival, along with about 80 authors from Myanmar.
“I feel extremely happy the festival can happen at all,” said Jung Chang, whose books are banned in China. “Wild Swans,” a bestselling family saga set against the backdrop of contemporary China, recently became available in Myanmar.
“I dream for the day when my books can be read in China,” she said.
There have several other cultural “firsts” in Myanmar in recent weeks: its first marathon, its first big foreign rock concert – by Jason Mraz – and its first New Year’s Eve countdown, an event inconceivable under old laws that banned public gatherings.
Myanmar’s literature is little known abroad, thanks to decades of isolationist rule and a lack of translation.
Only a handful of books have been translated from Burmese into English. It is difficult if not impossible for foreigners to read the work of leading local authors like Ju, Ma Thida and poet Saw Wai, who have helped shape Myanmar’s tradition of literary dissent.
The few authors known overseas – like Thant Myint-U, now a government adviser, and Pascal Khoo Thwe, the first Padaung tribesman to graduate from Cambridge University – have lived for long periods abroad and wrote in English. They are not seen here as truly local authors.
The old government restrictions on publication have also cut off local readers from global authors. The international literature available here has, by and large, been limited to censor-altered versions of Russian and Western classics, by writers like Anton Chekhov, Leo Tolstoy, George Orwell and John Steinbeck.
Friday morning at the festival, dozens of students crowded around a table with a motley assortment of secondhand books for sale.
“It’s very important for the students of Myanmar because there is contact with foreigners,” Arker Kyaw, an 18-year-old student of English, said of the festival. “I know only Leo Tolstoy.”
He didn’t recognize any of the foreign authors scheduled to speak and has little guidance through the world of contemporary English letters. He hugged a brown bag of books he’d bought for his friends, including “Spearwielder’s Tale” by R.A. Salvatore and “The Terrible Hours” by Peter Maas.
The festival director is Jane Heyn, wife of the British ambassador to Myanmar. Sponsors include Yoma Strategic Holdings and Myint & Associates, companies that have been cultivating international business partners as the U.S., Europe and Australia unwind economic sanctions against Myanmar.