Rookie Gail Peck

Family pressure and professional mishaps are nothing new to Gail Peck. She weathered the storm when her colleagues learned about her cop-royalty lineage, but she still can’t escape suspicions of nepotism. She’s bonded with her fellow rookies but that doesn’t mean she’s not still out for number one.

This year, the tension for Gail will be kicked up a notch. With her defence mechanisms firmly in place, Gail will face her mother’s presence in her workplace, her own changing relationships with her peers, unfair accusations and lingering questions about what she really wants out of the job.

Is it her lot in life to be the bitch or the joke? Will she always be merely her mother’s daughter? Or is there room at 15 Division for a strong and confident cop who just happens to be a Peck?

Meet Charlotte Sullivan:

Toronto-born Charlotte Sullivan began her acting career in 1996 starring in Harriet the Spy with Rosie O’Donnell. She soon found herself landing a variety of film and television roles including acting opposite Amy Brenneman in Judging Amy, and in Mary Cassatt: An American Impressionist, which earned her a Young Artist award nomination. Other television appearances include Across the River to Motor City, M.V.P. and guest-starring roles in Murdoch Mysteries and The Listener. In addition to her role on Rookie Blue, Sullivan recently appeared in History Television’s mini-series, The Kennedy’s, alongside Greg Kinnear, Katie Holmes and Barry Pepper, playing the role of Marilyn Monroe.

Recently, she had the pleasure of working in China on the mini-series Iron Road with Academy Award® nominee Peter O’Toole (Lawrence of Arabia), as well as the miniseries remake of Alice in Wonderland entitled Alice, alongside Kathy Bates, Harry Dean Stanton and Tim Curry.

In film, Sullivan appeared alongside Mandy Moore in How To Deal and then with Drew Barrymore in the Farrelly Brothers’ romantic comedy Fever Pitch. In 2009, she starred in the Lifetime film Unstable, and had a role in the feature film, Defendor, starring Woody Harrelson, which screened at the Toronto International Film Festival.