The riches-to-rags story nabbed a total of eight trophies during the week of virtual CSAs, the final major awards show for the series after a year filled with international accolades.
Schitt’s Creek won best comedy series and a lead-actress honour for Catherine O’Hara on Thursday after getting six awards the previous night, including a writing nod for Toronto-raised co-creator and star Daniel Levy.
Its other CSAs wins included Emily Hampshire for best supporting actress and a directing trophy for Levy and Andrew Cividino.
The widely beloved Ontario-shot show, which aired on Pop TV in the United States and streamed on Netflix internationally, was the leading contender going into this year’s CSAs with 21 nominations.
Indigenous zombie feature Blood Quantum was up for a leading 10 film awards going into the CSAs week and emerged the second-highest overall winner with seven trophies in total.
Six of the Blood Quantum honours came on Thursday, including an editing nod for Montreal-based Mi’kmaq writer-director Jeff Barnaby and best lead actor for Michael Greyeyes, who plays the police chief of a fictional First Nations community immune to a zombie plague that’s broken out around it.
Homegrown actors Stephan James, Karine Vanasse and Nahéma Ricci narrated Thursday’s pre-recorded presentations, which capped four nights of trophies in 141 film, television, and digital media categories.
For Schitt’s, the CSAs capped a stellar awards-season run that included seven Emmys and two Golden Globes.
“With every success that we have seen, many of which were beyond comprehension, my mind has always gone straight back to the team, because I simply could not have done it without them,” Levy said in an interview last week, before the CSAs began.
“So it goes without saying that, to come back to Canada and be recognized like this by our peers is obviously everything to us.”
For Barnaby, the CSA nominations signified some progress for Indigenous film and the horror genre.
“Once upon a time, (horror) was always regulated into the indie awards,” he said in an interview before the CSAs week.
“Whereas I think (with) Blood Quantum you’re starting to see a bit of a meeting in the middle and opening the doors to possibilities of: it doesn’t need to be either/or, it doesn’t need to be artistic only and commercially viable only.”
The crime noir Akilla’s Escape got five awards, including best original screenplay for Wendy Motion Brathwaite and Charles Officer, who was also the film’s director.
Best motion picture went to Tracey Deer’s Beans, about a 12-year-old Mohawk girl coming of age during the 1990 Oka Crisis. The drama also won the John Dunning Best First Feature Film Award.
Other key film winners included Funny Boy, about a Tamil boy who grows up gay in Sri Lanka during the deadly Tamil-Sinhalese conflict. It won three awards, including best original score for Howard Shore, best director for Toronto-based Deepa Mehta and best adapted screenplay for her and co-writer Shyam Selvadurai.
U.S. star Michelle Pfeiffer got a lead-actress nod for playing a Manhattan socialite in the film French Exit, which Vancouver Island-born writer Patrick deWitt adapted from his own novel.
On the TV side, the CBC’s now-defunct Korean-Canadian family comedy Kim’s Convenience got four awards in total, with star Paul Sun-Hyung Lee netting best actor for playing patriarch Appa.
Best drama series went to CTV’s medical drama Transplant, which also won a lead-actor nod for Hamza Haq and two other honours.
Crystle Lightning won lead actress in a drama series for the CBC’s Indigenous coming-of-age story Trickster, which netted three awards in total.
Trickster was cancelled after one season in January amid controversy over co-creator Michelle Latimer’s claims of Indigenous ancestry.
Beth Janson, CEO of the Academy of Canadian Cinema & Television, said the controversy made the show ineligible for best drama series and disqualified Latimer from any nominations.
“Being nominated or being considered for a Canadian Screen Award is not automatic. There are a number of different rules that have to be abided by in order to be eligible,” Janson said in an interview.
“And when we have a dispute that comes up within our membership, let’s say, or with credits of who is on the credit list, we have to make a determination about whether that should be eligible. And we did do that.”
Janson said she couldn’t reveal further details, citing confidentiality reasons.
This is the second year in a row the CSAs unfolded online because of the pandemic, which has curtailed the usual pomp of the film and TV awards show circuit.
The Oscars, Grammys, Emmys and other awards bashes have experimented with different types of pandemic-tailored broadcasts to meet health and safety precautions but the result has been low ratings and, in some cases, critical pans.
Nevertheless, Janson welcomed the opportunity to reinvent the format.
“I can’t see an awards show just returning to what it was. I think that there will be some changes, and I think that’s going to be great,” said Janson.